Several people have asked about the different ways songwriters get paid. So, here’s the 5 minute overview:
Publishing Draws for Songwriters.
This is a monthly amount a publisher pays to a writer that is on a staff publishing deal. These are really advances on royalties that have to be repaid out of incoming royalties. Once your catalog is recouped, the publisher pays you semi-annual royalty checks for money they have collected.
These are fees paid by TV and movies to use your song. There are a million different ways these work and they can be very small ($50) or huge (hundreds of thousands).
Generally, these are royalties on something that someone purchased. A downloaded song, a CD, a Vinyl Record, etc.
Songwriting Income Streams From Performance Royalties.
These are royalties from radio and TV airplay. The sync fee is a licensing fee to use the song and the performance royalty is fee for the song per play or per time played on radio or TV. This is one of the top songwriting income streams.
Harry Fox Agency
Collects mechanical royalties and pays them to you.
PRO’s – (ASCAP, BMI and SESAC)
These performing rights organizations collect performance royalties and pay you quarterly, or in SESAC’s case, monthly. Perhaps the most important organizations when it comes to songwriting income streams.
So, as a writer, I get a regular monthly check from my publishing advance. I get quarterly checks from BMI. I get semi-annual checks from two publishers because I have two catalogs that have recouped. It’s a crazy system and very unpredictable, but that is how it works. Basically the only stable income for a writer is the publishing draw. That’s the only one you can predict from check to check. Hope that answers any questions you might have!
Write on! MD
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Author: Marty Dodson