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Wordsmiths! Thought this just may qualify for a gander. What do you think?

http://scriptshadow.net/announcement-amateur-showdown-character-piece-edition/

How goes it Geniuses, this has a chance to be worthless.

nightcrawler-jake-gyllenhaal-02543

We have a new Amateur Showdown! If you don’t know what Amateur Showdown is, it’s a screenplay tournament where I pick five scripts that were submitted to me and then you, the readers, read as much of each script as you can then vote for your favorite in the comments section. The winner receives a review the following Friday that could result in props from your peers, representation, a spot on one of the big end-of-the-year screenwriting lists, and in rare cases, a SALE!

This upcoming Amateur Showdown will be for CHARACTER PIECES ONLY. That means no action or thriller scripts. We’re talking scripts where the heart of the screenplay is about character development and character exploration. Some recent examples of character pieces would be Joker, Nightcrawler, Marriage Story, A Star is Born, Eighth Grade, The Favourite, Green Book, The Mule, Call Me By Your Name, Ladybird, The Big Sick, Moonlight, and Manchester By the Sea.

Now, obviously, there’s some leniency here since, technically, you can say that Die Hard is a character piece. John McClane is going through some serious marital issues and that’s character exploration, right? Well, you’re welcome to try and cheat the system but I’m going to be choosing scripts where the characters are the focus over the concept.

Amateur Character Piece Showdown will occur on the weekend starting August 21st. Scripts are due by Thursday August 20th by 8pm Pacific Time.

In order to participate, e-mail me at carsonreeves3@gmail.com. Include in the e-mail a pdf of the script, the script title, the genre, a logline, and a pitch to myself and potential readers why you believe your script deserves a shot. It could be long, short, passionate, to-the-point. If you want to submit your Last Great Screenplay Contest script, you are free to do that.

Also, one last suggestion. If you’ve never written a character piece before, you should do so at some point, especially if you struggle with character. I’ve found that writers who are too dependent on concept and plotting become much better writers after they’ve been forced to write a script where the driving force is how interesting the main character is.

So if you think can whip one of those up in 40 days, it might be a fun and educational exercise.

Can’t wait to see what you guys come up with. Good luck!

Was I right on?
You can thank me later.