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Author: Scott Myers
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Script To Screen: “Psycho”
The famous “truth about mother” scenes from the classic 1960 movie Psycho, screenplay by Joseph Stefano, based on a novel by Robert Bloch. Continue reading on Go Into The Story » Go to Source Author: Scott Myers
Ocean’s Twelve Ending & Heist Explained
Ocean’s Twelve ends with a chronological twist that explains the main characters’ true motivations. Steven Soderbergh’s 2004 film begins with Terry Benedict (Andy Garcia) plotting revenge on Danny Ocean (George Clooney) and his team of thieves, who previously stole $160 million from the business mogul in Ocean’s 11. In Ocean’s Twelve, Danny’s team is tracked…
10 MCU Cliffhangers That Need To Be Addressed Before Avengers 6 Reboots The Franchise
Recent rumors have sparked speculation that Avengers: Secret Wars will be soft-rebooting the MCU, but there are many niggling cliffhangers that Marvel Studios needs to address before this can happen. Over the last decade-and-a-half, Marvel Studios has developed the most expansive, popular, and profitable superhero movie franchise in history, spanning over forty projects across film,…
Star Wars Secretly Explained A Mandalorian Season 1 Grogu Mystery, 4 Years Later
Star Wars has answered a key mystery about Grogu from The Mandalorian season 1. Having been hired by the Imperial Remnant to find and locate the fifty-year-old and Force sensitive child, Din Djarin eventually turned on his clients and rescued Grogu, resolving to protect the child before he quested to return Grogu to his own…
This Is Why Your Screenplay’s Page Count Matters
The conventional wisdom within the film industry suggests that a feature spec script—a screenplay written under the speculation that it will be sold and produced—should ideally have a page count between 90 and 120 pages. A script with fewer than 90 pages is often considered insufficiently developed, while one exceeding 120 pages risks being deemed…
Is This the End of Existing IP Domination?
IP is dead. Long live IP. A series of underwhelming showings at the box office would indicate that the argument for Intellectual Property (IP) no longer has the standing power it once did. Streamers continue to pour out easily-accessible content while big studios traditionally send major motion pictures to the cinema needing an all-but sure thing…