“Behind the Curtain: Discover How One Journalist is Unearthing the Untold Stories of Hollywood’s Hidden Screenwriters”
Every film or TV show I’ve covered on Script Apart has come from an emotion born out of some experience the writer went through: Edward Scissorhands from Caroline Thompson’s adolescence spent feeling like an “outsider looking in” at society; The Holdovers from David Hemingson’s memories of an uncle he adores; The Sopranos from David Chase’s intense relationship with his late mother.
Great writing—the type that people will grow hungry for when the first emotionally malnourished films and shows written by AI begin to hit screens—comes from writers with great emotional self-awareness.
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