Janet Leigh in Psycho

Feeling a Snack Coming On

Maybe the best thing to compare it to

Would be the old cowboy-and-Indian movies

We used to endure on Friday night TV

Or Saturday matinees, before Psycho hit.

Indians whooping and chasing stagecoaches;

A strong-but-vulnerable woman holding a rifle,

Her face streaked with dirt, a white sleeve torn;

Or a lone half-naked buck sneaking up

Behind a blue-clad soldier to slit his throat—

Until the soldier proves the better athlete,

Wrestling the knife away and giving the Injun

What-for, before bayonetting the poor bastard

And rolling his painted body into the canyon.

A 16-ounce Pepsi could last a double feature.

So you’re riding through a desert, a third-rate

Monument Valley—this is no A-lister—

And the silence is starting to surround you.

Forty miles to the next pony-express station,

Where there’s water and human interaction

(Though you’re very appreciative of your horse!);

And the vast emptiness of endless desert

Is beginning to seem a metaphor for your life.

That’s the first sign your blood sugar levels

Are starting to fall.  Maybe it was the coffee

After dinner—never a good idea, that, but

You wanted to be alert crossing this terrain;

Now you’re starting to feel a little hollowed out.

That’s when the first cookie shows up.

It stands on a ridge, a sentinel silhouetted

Against sun.  You try to make out its markings.

Chocolate chip?  Member of the Oatmeals?

There’s icing, but what does the icing mean?

Then, to the left, two or three more cookies

Appear, their frosting glinting in the sun.

This is getting serious.  It’s as if they can see

The gnawing in the pit of your stomach.

Suddenly, up ahead, many cookies, a whole tribe

Of cookies, as if they’ve been waiting in ambush:

Butterscotch cookies, pecan candies, cookies

With chocolate swirls across their faces, jellies.

You eat until your throat is dry as the desert,

Hoping you’ll soon hear the bugles of milk.

4/12 /20

from the archives; first published April 14, 2020.

       

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