“From Boots to Broadway: How Army Veteran Ryan Smith Transformed His Life Into a Captivating Musical Journey”
Ashley
Yeah. So now that you, in hindsight, and I was the same way, I mean, I wrote my first scripts long before I ever read save the cat. But then as you go back and you learn some of that stuff, a lot of that stuff is intuitive. And I can look at some of my older scripts and say, yeah, that was an inciting incident. That was an act break. Do you go back now and look at some of that stuff? Was some of that stuff intuitive in your script?
Ryan Smith
Surprisingly, so I was actually yeah, very surprised that’s how I did it I think because I originally wrote it as a series I tried to write it kind of like a comic book where you would have all these things and then there’d be kind of a Cliffhanger where it would end off and then you’d have some more things to build upon it and then there’d be a cliffhanger. So, in Eldritch specifically, that’s how each of those sections is kind of broken up where you know. It like literally cuts to black you get a title card and then we get the next section I guess almost similar to if you saw the recent version of Suspiria where they’ve got kind of the title cards that That split up how that one is set up.
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