“From Pocket to Projector: Discover How Jamie Grefe Filmed Two Movies on His Phone!”
Welcome back, Jamie, to the Selling Your Screenplay podcast. I really appreciate you coming back on the show with me today.
Jamie Grefe
Thank you, Ashley. It’s always a pleasure and an honor to be here talking.
Ashley
Thank you. So, you were on the podcast a few years ago and we dived into your writing background and kind of how you got your foot in the door and got your first few credits as a screenwriter. Today we’re going to focus on some of your new feature films that you’ve written, directed, and also produced. But if anybody listening to this wants to just know a little bit more about sort of how you got your start, I would recommend definitely check out episode number 306 and I’ll link to that in the show notes. But let’s start out today’s interview just sort of talking about these feature films that you’re writing, directing, and producing. You have two films out now, Sorority Girl Massacre, Black Static, Sorority Girl Massacre, Guts of Ecstasy. It sounds like you have two in post-production that are about to come out, Love Hurts, Love Never Leaves. Just in general, maybe you can just speak to this model in general. You’re kind of a one-man show on these things. You’re writing them, you’re directing them, you’re producing them. So maybe you can kind of just give us sort of a broad bird’s-eye view of this and then we’ll dig into some of the specifics.
