Inside Hollywood’s Turmoil: Is JJ Abrams’ Decline the Death Knell for Screenwriting’s Future?

Inside Hollywood’s Turmoil: Is JJ Abrams’ Decline the Death Knell for Screenwriting’s Future?

Nowadays, however, the operative play is to try and crush a winner down the line (straight ahead). Or, to put it simply, you are always trying to crush the ball no matter where you are in the court. It’s so prevalent that players don’t even know how to hit topspin lobs anymore if their opponent comes to the net. It’s a class of shot that has simply left the game. Nowadays, if someone comes to net, you try and hit a winner past them every time. Even though they’re expecting it.

This got me thinking of the obvious correlative question: “What’s changed in screenwriting in the last ten years?”

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