Inside the Magic: How James Cameron and Disney Are Revolutionizing Animation—Secrets Revealed by Pietro Schito
We’ll see if that actually comes to pass. It gets a little dicey as I think it through. Again, this is low budget. So it’s not like we’re going to have all the time in the world and the schedule is going to be the schedule. Some of these locations are going to be available when they’re available. So having a scene in a barbershop where you cut your protagonist’s hair could potentially create some continuity issues.
So I’ve got to think that through and sort of decide how that’s going to work. Just logistically, how are we going to film this guy? Because the scenes at the bar, as an example, the scenes at the bar, that’s like six days that we’re going to need it. And it’s obviously the guy gets a haircut in the middle of the script, his hair’s a little different. I’m thinking maybe he has short hair. We can do kind of just slick it back, maybe a little more gel on the days that he supposedly had the haircut. But those are the sorts of things, as I said, that I’ve got to sort of work through. I think I can find a salon or a barbershop fairly easy. I think from the screenwriting aspect, I think I could make that scene work. But then from the producing aspect, it does create some issues. So those are all sort of the things. Those are sort of the examples of sort of the problems that I’m working through to create the best possible movie on the least amount of money and just given these constraints that we have. So anyways, that’s what I’m sort of working through.
