“Secrets Unraveled: A Deep Dive into the Haunting World of ‘Carriage Hill'”
But part of being a good screenwriter is trusting that you can hold the reader’s attention through those slower parts of the story. Sure, I could have a superhero show up in my script on page 10 and then Rome blow up on page 20 and then inter-dimensional aliens arrive on page 30 — I’m giving the reader plenty of reasons to keep turning the pages. But at what cost? At the cost of them not taking the story seriously, which eventually ends in them in disengaging.
Carriage Hill is a fun little script. I just wanted to believe what was happening more. It all got a little too goofy for me.
Post Comment