“Unearthing Resilience: The Poignant Journey of a Maimed Hand in Ananya S. Guha’s Captivating Verse”
What if writing became a dance of words unshackled from the constraints of the physical world? In this poignant piece, we are invited to explore the intriguing concept of crafting poetry when the hands—those classic tools of expression—are rendered immobile. Imagine that struggle, that yearning to articulate thoughts and emotions flowing instead from the mouth, forming a narrative that weaves together the heart and the soul. The imagery lingers, suggesting that even in loss, creation pulses vibrantly, hinting that a “maimed hand” could one day craft a masterpiece, transcending the limitations of the body. So, let’s delve into this evocative realm where silence speaks louder than ink, and discover the profound beauty found in the act of expression itself. LEARN MORE.
Try writing with a maimed hand
words will not write, only speak
the finger may not move
but words will into a long loop, an arc, a clever movement the heart and mouth will move
hands will not write, the mouth will, and words will take shape of the earthly, into a slow movement of a poem. The body will not write these words, not the hand.
The maimed hand will one day speak a poem.
The body, hands will not move.
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