Unlock the Hidden Secrets of Plot and Subplot: Master the Art of Suspense That Keeps Readers on the Edge of Their Seats
A secondary plotline can center on just about anything, including a character, setting, theme, motif, or problem. It can enter the story at any point and leave at any point—no need for it to run through the entire story unless that’s what serves the story best.
Every subplot, however, should be tied up by story’s end. The only reason you might consider leaving a secondary plotline open at the end of the story is so that it can function as a lead-in to the sequel.
For example, in my thriller novel, Nocturne In Ashes, the main story arc about stopping a serial killer is wrapped up in the end. But one of my subplots involved a police detective’s efforts to gain entry into an elite private security organization. That storyline left a dangling thread to be picked up in the sequel.



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