Unlock the Hidden Trick Every Screenwriter Swears By to Transform Their Third Act Overnight

Unlock the Hidden Trick Every Screenwriter Swears By to Transform Their Third Act Overnight

Well, as you’re trying to figure out how to make your third act work, don’t think two-dimensionally. Think three-dimensionally. For example, if you’ve written a slasher film and you’re looking for a final location to create the big showdown between your hero and the killer, don’t just ask, “What’s the best location to have this showdown?” Ask, “Is there a location that’s either already set up, or that I can set up retroactively, that would make the location more powerful?”

I remember a couple of years ago, I was consulting on a slasher screenplay that was dealing with this exact issue. A lot of the backstory revolved around the killer’s years at high school and him getting bullied. Twenty years later, he was taking out his bullies one by one. And the writer placed his big climactic ending in this random place. I think it was a loading dock or something. And I told him, “Are you crazy?? The climax needs to happen at the high school!”

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