“Unlocking Hollywood: Secrets to Thriving as an Unrepresented Screenwriter”
Be a Good Negotiator
Most of the companies you’ll be dealing with will have contract constraints. They’ll only be able to pay you so much. You can’t expect Writers Guild of America minimums—although those can be benchmarks in negotiations with some companies.
In all of my deals, I’ve never been taken advantage of in any way, shape, or form. You have to be able to smell a scam a mile away.
Most reputable companies will have all the necessary contracts in place, drafted by their own lawyers to fit the specifics of your negotiated deal. For smaller indie films that might not have such resources, it’s crucial to be smart and choose your collaborators wisely. Never work without a contract.
Post Comment