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What Is Your Goal?
Does your character have a clear decision that drives them through all of Act Two? So often, writers include what the character wants from the very start of the script, and then use the catalyst moment or “inciting incident” to send the protagonist off towards the thing we already know they want.
But that’s not a strong goal. We don’t want the choice to go after a goal to be easy. The protagonist has to be pushed to make the tough choice.
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