“Unlocking the Secrets: Why Hollywood’s Doors Remain Closed to Aspiring Screenwriters”
It’s a known fact within Hollywood that roughly 95% of the unsolicited material out there is terrible. 4% is average to above average. And not even 1% are worthy and ready for contracts. I’m speaking as a former studio script reader and story analyst in development as well—a filtration system is necessary.
Why Professional Screenwriters Don’t (or Shouldn’t) Read Screenplays of Others Either
I’ve been fortunate enough to have been a professional screenwriter for nearly 20 years, starting with my first paid contract for a development deal at Lionsgate back in 2007, just before the economic collapse and Writers Strike.
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