“Unmasking the Mystery: What Drives Hollywood to Create Cinematic Disasters?”
It can be likened to the old Roger Corman days when the legendary producer made more movies than anyone. He made them fast and cheap, and could usually turn a profit through creative theatrical distribution and home entertainment.
These movies may not be up to par with major studio, network, and streamer releases—but they represent a niche audience that wants more and more of them.
Read More: How Screenwriters Pitch, Sell, and Write for Lifetime
‘Death Clique’ (2014)
Big Studio Tentpole Movies
Some are great. Some are bad. But it’s important to remember that these types of tentpole movies are there to do one thing—entertain. Going deeper than that, they are meant to sell tickets. Plain and simple.
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