“Unravel the Secrets of ‘Carriage Hill’: A Screenplay That Turns Familiarity Into Unforeseen Thrills”
This isn’t just nit-picking, by the way. One of the most important things in a screenplay is our connection with the main character. The better we know them, the more invested we will be. So you want to do everything in your power to connect us to them. And the character intro is the first of many important steps a writer uses to achieve that.
What I learned 2: If you want to have a pregnant character in your screenplay, we should either meet them when they’re 8+ months pregnant, or, if you show them get pregnant, you want to do a TIME JUMP to 6, 7, 8 months later. And you want to do that time jump as early in the screenplay as possible. Cause you want to start the ticking time bomb to the baby’s birth. You can’t do that if the movie starts with the character at 2 months pregnant and you gradually tell the story over the next 7 months until they conceive. There won’t be enough urgency. There are exceptions to this (Rosemary’s Baby) but for the most part, it’s a good rule to follow.
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