“Unraveling Secrets at Carriage Hill: A Spellbinding Screenplay That Redefines Expectations!”
I’ll read these characters and immediately understand who they are.
Meanwhile, main characters are more nuanced. They have more going on. Which, in theory, is a good thing. But often writers will lean too heavily into that nuance and never actually convey what the core identity of that character is. And therefore we never get a feel for them.
John McClane’s core is a tried-and-true New York cop who doesn’t play by the rules. Arthur Fleck’s core is a guy who just wants to be accepted by the world. In my new favorite show, The Bear, the main character’s core is a workaholic who is determined to succeed at all costs.
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