“Unraveling the Twists of ‘Carousel’: A Screenplay That Dares You to Question Reality”
Noah attempts to weave his way back into Rebecca’s life even if she’s reluctant to reciprocate. Then the two run into each other so much that she figures, ‘why not give it a go,’ and the relationship reignites.
I wish I could give you some splashy exciting plot that develops after this but the above synopsis is pretty much it. That’s all that happens in the script. Which should give you an indication of where this analysis is going.
This is the problem a lot of writer-directors have.
They hide their writing behind their directing. They can make something look like a movie. But there’s nothing underneath it. That’s because writer-directors, except for the superstars we all know, rarely put as much effort into learning writing as they do directing.
