“Unveiling the Allure: Why Brutalism Captivates Yet Confounds Modern Design”
The cinematography and score were magnificent. It’s like Terrance Malick but with purpose. You get these powerful couplings of image and sound, and they’re moving towards these sweeping moments that burrow inside of you, like bass in the loudest nightclub in the world.
If you haven’t seen the film, it starts in 1947 with a Jewish architect, Laszlo, who comes to America after having endured the concentration camps. He used to be famous back in Budapest. But now, he’s a nobody and has to work his way back into the fold, a task complicated by his pride and a worsening drug habit.
