“Unveiling the Truth: Is Your Script’s Page Count the Secret to Hollywood’s Heart—or Just a Myth?”
But when it comes to writing for film (and even episodic television), there are constraints you can’t deny. And those constraints create general structural guidelines and formulas. Page count is one of them.
Do yourself a favor and don’t push up against that—at least until you have the success and power to bend or break those “rules” a bit.
Ken Miyamoto has worked in the film industry for nearly two decades, most notably as a studio liaison for Sony Studios and then as a script reader and story analyst for Sony Pictures.
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