Unveiling the Untold Secrets Behind the Screenplay of ET. AL. – A Review That Will Change How You See the Story
I’m sorry but that connection isn’t very clever, nor is it very clear. Nor is it even logical.
Look, if you have a Yeti in your movie and the goal of your characters is to find that Yeti, and yet your movie always places the Yeti in the background… I don’t know many people who are going to watch that without wanting to kill you afterwards.
I mean, it’s not even the same genre.
You’re putting a dangerous thriller love triangle in your movie, the kind of setup that would’ve had Michael Douglas starring in it in 1994, and combining that with a pseudo sci-fi adventure story. Those two genres don’t gel together.