Unveiling the Untold Secrets: Eric Heisserer Reveals the Hidden Forces Driving a Screenwriter’s Creative Power
Also! The studio system isn’t the only game in town. I got HOURS made entirely out of that world, with one producer and financiers.
None of these paths are simple or easy. You will get exhausted swinging at them. But great material gets attention. Maybe quick, maybe slow.
If your goal is to sell a screenplay, you are in for a world of hurt. Because those shouldn’t be your goalposts. A sale = a START to career.
Another one: DO NOT dare watch a crap movie and think you can make it in the biz because “I can write better than that!” No no no. That is called the “shit plus one” dilemma. It means your goal was to produce something marginally better than shit.
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