Unlock the Hidden Power of Point of View: Master First, Second, and Third Person Like a Pro!

Unlock the Hidden Power of Point of View: Master First, Second, and Third Person Like a Pro!

“Figure it out, Tina. I’m sick of rushing to the store every time you forget something,” said Fred. He felt the anger pulsing through his large belly.

Going back and forth between multiple characters’ emotions like this can give a reader whiplash, especially if this pattern continues over several pages and with more than two characters. This is an example of an omniscient narrator who perhaps is a little too comfortable explaining the characters’ inner workings.

“Show, don’t tell,” we’re told. Sharing all the emotions of all your characters can become a distraction. It can even destroy any tension you’ve built.

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