Unveiling Jeffrey Lieber: The Untold Secrets Behind His Masterful Storytelling
I feel like I’m fairly good at dialogue from my days as an actor. Then question is how do you make it different? How do you make them sound different? Aaron Sorkin makes everyone sound the same, but that’s his shtick, and then everyone else is going to write characters who sound different from each other.
Dialogue, to me, is the least, not the least important element, but the last element. It’s once you solve structure and story, then you can spend your time working on dialogue.
Scott: How about theme? This is a subject that I get the widest variety of responses on. How important is theme? Do you start with a central theme? Does it arise over the course of writing something?
Post Comment