Inside Greg Wayne’s Creative Mind: Secrets Behind His Most Captivating Stories Revealed
Not that I’m saying your fingers should be flying over the keyboard like that episode of Seinfeld where Kramer gets cast as Murphy Brown’s secretary. I just mean moving forward at a steady pace and not getting too hung up on a certain word, or trying to find a synonym for “walk,” or anything like that. Try to think of it as falling forward.
Rip through that outline, get feedback on it, revise it until you’re ready to go to pages, rip through the draft, feedback, and on and on. I hate to get all mystical, but the idea is to get to a point where it’s more like you’re channeling the story than writing it.
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